Useful and Beautiful: Modernism, Dorothy Liebes and the Decorative Arts at the 1939 Golden Gate International Exposition
Elizabeth Schott, Scholar, Author, and Educator
This ADAF Lecture will be broadcast on Zoom, click here to register for the online event.

Liebes on the job as Director of the Decorative Arts Pavilion

Rouault Tapestry Le Clown Blesse 1935

The “Magic City” at night

Interior view of the Decorative Arts Pavilion

Léger Tapestry, Trois Personnages,1932
In the summer of 1938, Dorothy Wright Liebes embarked on a six-week, nine-country journey across Europe in preparation for her role as Director of the Decorative Arts Pavilion at the Golden Gate International Exposition the following year. Her mission was to gather items that illustrated her conviction that “the art spirit of any age may well be measured by the vitality in the design of everyday things.” She traversed the United States and Europe, collecting textiles, books, metalworks, sculpture, jewelry, furniture, and more, with a single unifying characteristic: modernism. The design of the pavilions, the exhibit catalog, the live demonstrations of artists in action, and the emphasis on indoor/outdoor living were Liebes’s vision realized. She was lauded by critics including Alfred Auerbach, who wrote, “The entire presentation reveals a discerning, keen understanding of who’s who and what’s what in modern art at the moment.”
Liebes biographer Liz Schott is a retired educator who lives in Sebastopol, California. Her proposal for Useful and Beautiful: The Life of Dorothy Wright Liebes won the Biographers International Organization’s Hazel Rowley Prize, which honors first-time biographers, in June, 2025.




